ZHANG WENJIE

Urban Village|城中村

 

 

 

城中村项目将浸没式戏剧与中国传统文化结合,目的是为了保护与保留城市中的特殊场域-城中村。飞速发展的城市空间中,城中村一直在夹缝中求生存,其为弱势空间样存在并逐渐被城市化进程吞噬。然而在夹缝中的城中村一直记录着城市的历史与发展,记录时间、生活与过去,它不仅是座为城市化而设立的博物馆,还是城市弱势群体的庇护所,是外地年轻人来大城市奋斗的跳板住所。由此,以“污点”名义存在的城中村却具有极高的保护价值。

 

我们以浸没式戏剧的思维去理解现实空间形态:“城——村”之间巨大的感官差异,产生了“出戏入戏”的浸没式体验感。将空间里所发生的一切看成一部关于城市发展最真实的生活戏剧,居民是演员,生活是剧本,外来者是观众。并以陶渊明式的田园理想与桃花源记的臆象去充斥整个空间形态,创造一个”反城市空间“来与城市空间互补,存留城中村的历史文化价值,还给城市一个回归自然的缓释型空间。(2016)

 

The project combines the immersion drama with Chinese traditional culture to protect and preserve the village in the city. The rapid development of city space, the village has been seeking to survive in the cracks, with weak space identity and gradually swallowed. It is not only the Museum of the process of urbanization, or the shelter of urban vulnerable groups, the field of young people to the springboard for the struggle of big cities. The village in the name of "stain" has high protection value.

 

We use immersion drama thinking to understand the reality of space form: "city - village" between the huge sense of difference, resulting in "play into the play" immersion experience. Everything in space as a city development of the most real life drama, residents are actors, life is a script, outsiders are the audience. And with the idyllic ideal peach Tao vision to fill the space form, to create a "city space" to complement and city space, forming a natural release type space.