Body Anxiety｜形体焦虑

形体焦虑项目通过环境戏剧与体验装置结合的框架空间，探讨了人的身体与社会文化之间的捆绑关系。身体是社会的隐喻，是生理和社会的集合体，具有高度的可塑性。当下，在社会的文化控制、大众媒体多样化和刻板固有审美操纵下，人们逐渐对自身形体认知产生负面心理，并把身体当成一种有待加工的平面和体积。

而盆景亦是因人类审美情趣捆绑塑造出来的产物，与人的形体有着异曲同工之处。由此，此项目设计一场束缚迷失体验，创作了八个围绕形体焦虑且针对不同人体部位的“ 人体盆景支架“，让观众能够直接在装置接触中感受形体的束缚感。我将“环境戏剧”配合八个“束缚装置”置入八个框架结构型迷宫空间中塑造整体项目的空间结构，将束缚装置包裹在其中，通过重复性和规律性的空间构成传递体验的迷失，尝试由此弥漫空间中的焦虑氛围，并将这八个大型装置安排进各个城市的大型公共场所。观众进入装置空间内，在框架中迷失方向，他们可以自由的与空间产生关系，但形体被制约，被扭曲成各种奇怪的形态，与城市的空间环境相结合，在公共城市环境中形成了一场特殊的关于“形体焦虑”的自发表演。（2016）

By the combined structure space between environmental drama and experimental installation, this project discusses the ties between human body and social culture. Body, as a metaphor of society, a combination of physiology and society, is highly reflexible. In contemporary society, under the control of social culture, people regard body as a flat and volume remains to be processed. Penjing is a product tied up with human aesthetics. Human body is tied up by social culture just like. People blindly pursue perfect body. Therefore, I designed 8 installations that ties 8 different parts of human body, letting people to feeling the social constraint of body. I put environmental drama into the 8 structural space to present body anxiety, containing the tying installation. Human body is restricted in the structure, distorted to be various bizarre forms, which constitute a special spontaneous performance.